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Exploring Atmospheric Depths: Macro/micro’s Cinematic Soundscapes, relaxing music – Lyric Say

Macro/micro, the brainchild of musician and composer Tommy Simpson, is carving a distinct segment within the digital music panorama with its evocative soundscapes. Simpson’s newest releases, “Reassembling the Self” and the ambient mixture of Erik Satie’s “Gnossienne No.1,” provide listeners an immersive sonic expertise that transcends conventional boundaries.

“Reassembling the Self” serves because the closing credit observe for the sci-fi brief movie R.A.E.R BETA 0027. Atmospheric synthesizer pads mix seamlessly with an intriguing drum aspect, making a temper that’s each moody and charming. This digital/IDM piece mirrors the extraordinary, confrontational journey depicted within the movie—a future remedy session the place topics navigate their reminiscences with the assistance of experimental expertise. By means of Simpson’s music, listeners are transported into the protagonist’s psyche, experiencing a cathartic launch by the movie’s conclusion.

In distinction, the ambient mixture of Erik Satie’s “Gnossienne No.1” presents a serene counterpart to the depth of “Reassembling the Self.” Simpson’s rendition of this classical piece provides a sci-fi twist, with synth pads enhancing the ethereal environment. By slowing down the tempo and infusing the composition with emotion, Simpson breathes new life into Satie’s timeless melody, inviting listeners to discover a sonic panorama each acquainted and otherworldly.

Tommy Simpson’s journey as a musician, producer, and composer has been marked by a dedication to craftsmanship and innovation. From his early experiences as a composer and film-songwriter to his tenure with musical icons like Trent Reznor and Atticus Ross, Simpson’s numerous background informs his distinctive strategy to music manufacturing.

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