You can completely be subsequent to me presents a heartfelt exploration of friendship that transcends borders. This collaborative work options interdisciplinary artist and musician Jenny Berger Myhre, primarily based in Bergen, Norway, and producer Camila de Laborde, referred to as Opuntia, who resides in Mexico Metropolis. For over a decade, these artists have stored their bond sturdy by means of an change of voice memos. The gathering of recordings is huge sufficient to kind a library, but out of this trove, Berger Myhre has meticulously crafted a four-track document that encapsulates their shared experiences in an emotionally wealthy and sonically expansive method.
Relying on the way you interpret it, the album consists of both 4 or eight tracks. The primary half immerses listeners in Berger Myhre’s 4 soothing soundscapes, which gracefully envelop Opuntia’s dreamlike voice memos recorded throughout early morning reflections. Within the second part, Berger Myhre’s music stands alone, evolving from a comfortable veil round Opuntia’s narration right into a self-sufficient dialogue. Whether or not you begin with the instrumental tracks first or hearken to the spoken phrase variations afterwards, the music steadily unveils the heat that Berger Myhre presents in response to Opuntia’s sleepy musings.
Every of the 2 distinct segments of the album lasts about half-hour and flows with the sleek vitality of a pleasant vacation expertise. With Blind me with gentle, we awaken alongside Opuntia to the sounds of the wind, mild synths, and the faint presence of harmonium. In a single second, she displays on her favourite breakfast of espresso and bananas, and within the subsequent, she recounts an emotional reminiscence of her grandmother’s funeral. But by means of all of it, Berger Myhre’s music cradles these reflections, permitting Opuntia’s recollections, observations, and on a regular basis tales to weave seamlessly collectively.
Transferring to the subsequent observe, a haunting violin entwines with the languid pulsations of double bass, completely accompanying a meditative journey by means of transcendent desires and misplaced creative visions. Softly urging us returned to leisure, benign piano chords and twinkling double bass punctuate the flowing synths and digital sounds. The observe title, Loss of life doesn’t go away my desires, is lifted immediately from Opuntia’s voice memo; nonetheless, their friendship offers a stronghold towards darker ideas and nightmares. “That is very nice,” she confesses. “You can completely be subsequent to me.”
In Toms, hi-hats, every little thing, a driving drum machine shifts the temper fully, energizing our journey ahead whereas Opuntia’s reflections on company and the rhythms of life emerge within the soundscape. With an progressive method, Berger Myhre edits the voice memos, layering fragments that crossfade as playful sounds and aquatic parts bubble up from the depths. Conversely, in The day will come one way or the other, we immediately discover Opuntia’s voice spotlighted, contrasting sharply towards the broader musical backdrop. For a second, there’s a profound stillness punctuated by silence earlier than a easy piano line accompanied by double bass enters. “It’s onerous to get up in winter, however the day will come one way or the other,” she states as Berger Myhre’s distant, ethereal melodies linger softly within the background.
After we take into account the spoken phrase and instrumental tracks aspect by aspect, Toms, hi-hats, every little thing reveals an interesting interaction. Berger Myhre’s electronics, loops, and drum machine create a cyclical but dynamic rhythm that’s each charming and clear. As Opuntia narrates, her introspections on life’s transience lend a philosophical depth to the expertise, framing the listener’s engagement with the underlying sounds. Her model seems first on the album, permitting us to understand the music by means of her distinctive perspective earlier than experiencing Berger Myhre’s standalone composition. This association invitations us to contemplate how Opuntia’s presence may encourage and affect Berger Myhre’s creative expression and each day life.
Echoing the true nature of friendship, this auditory collaboration navigates by means of vibrant and numerous emotional landscapes. Launched on December 5, 2025, by Take It Simple Coverage, the complete album is a delight whether or not loved in a single steady sitting or by means of looping and shuffling tracks at will. Opuntia’s profoundly trustworthy and delicate reflections resonate superbly alongside Berger Myhre’s evocative musical backdrop. You can completely be subsequent to me stands as a radiant and galvanizing testomony to the enduring magic of creative friendships.
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