When you think of classical composers, you might think of gentlemen in elegant clothing and pale wigs, like those who perform Mozart or Haydn. However, you might be surprised to learn that some female composers from the traditional period were there!

Most historians believe that the Romantic Time did not materialize until the 1820s or 1830s, when the Classical Era first emerged in the 1750s.

Evidently, this was a moment when female employment opportunities were limited in comparison to the present day, but it also was a time when fresh ideas about what women could study and complete had begun to emerge.

During the Classical Time, there were many outstanding women writers. These are five of the most popular.

Marianna Martines( 1744-1812 )

Marianna Martineswas born in 1744 in Vienna, Austria.

Important for Martines’s occupation and artistic creation, her family lived with her husband’s friend, the writer Metastasio, who was the Empire’s Poet Laureate.

From the age of seven to ten, Metastasio connected her with a weak young keyboardist named Joseph Haydn, who she studied with in the home residence.

Marianna Martines

She finally began singing for Empress Maria Theresa after receiving a fantastic and extensive musical education from a number of outstanding teachers.

She wrote numerous cantatas, cantatas, and musical works throughout her music life and became best known for her vociferous performances and compositions.

A girl of her social course would have made an undue living off of her mentor Metastasio’s death, but she made her money composing and teaching.

Duchess Anna Amalia of Brunswick-Wolfenbüttel( 1739-1807 )

Duchess Anna Amalia was born in 1739 in Wolfenbüttel in present-day Germany.

When she was sixteen, she married the Duke of Saxe-Weimar-Eisenach. The next year, she had a boy named Karl August. Soon after, her father died, leaving her a wife and even her infant son’s regent.

She aimed to make the Weimar court both academically and artfully beautiful as her son matured. It gained the nickname” the court of the gods” and housed European icons like Goethe and Schiller.

Duchess Anna Amalia of Brunswick-Wolfenbüttel

She apparently found time to write songs herself, including piano sonatas, vocal functions, a symphony, and perhaps two operas!

Erwin und Elmire, a script by Goethe and based on his own lyric, was the most well-known of the two operas, which was written in 1776, the year when her son’s majority was over and she left the role of monarch.

Maria Theresia von Paradis ( 1759-1824 )

Maria Theresia von Paradis ‘ father, who served as the Empress Maria Theresa’s Imperial Secretary of Commerce, named his daughter after her father. When she was a child, she lost her vision, resulting in longtime blindness.

Maria Theresia von Paradis

She was really musically gifted, and because of her mother’s connections to the jury, she received first-rate training in song, console watching, and content. Her recollection was remarkable: she was said to have sixty sonatas memorised.

She went on tour to London and Paris in 1783, at the age of 24, and made a great idea. She also performed Mozart and Haydn music sonatas.

Later in life, she focused solely on writing music herself, using a specially designed content table to do so. She wrote a wide variety of functions, from piano concertos to opera. However, many of these works remain lost.

Louise Reichardt ( 1779-1826 )

Exceedingly for the moment,Louise Reichardt was born to two artists: both her mother and father wrote songs. Her parents and father were employed by Frederick the Great’s judge.

Tragically, her accomplished mom died when Louise was only four. Her father did n’t spend much time teaching Louise the music because he was overjoyed with his work and raising her siblings. But, she seems to have learned, anyhow, and while she was still a child, he published works that included efforts by her.

Louise Reichardt

Reichardt started working for herself as a solo musician, singer, and wire of the Hamburg song when she was just a young woman. However, she always conducted formally, conducting was seen as an unbecoming activity for a person.

She was most popular for her exquisite ballads, which she wrote for the emerging middle-class business.

Maria Szymanowska ( 1789-1831 )

AlthoughMaria Szymanowska is often referred to as the “female Chopin,” perhaps we should consider her the “maleMaria Szymanowska” since she was born before him.

She was the child of a wealthy Polish home. We are unsure of many about her early career or musical training, but we do understand that she wed a lawyer named Józef Szymanowski in 1810. They had three babies before getting divorced in 1820.

Maria Szymanowska

Ironically and unusually, her performing job began during her wedding, when she was a young family. She toured through Europe and was really well-received. In the middle of a typhoid epidemic, she moved to St. Petersburg and passed away it.

She wrote over 100 pieces for piano, many of them for the domestic market, a laLouise Reichardt.

Her music is in the middle of the Classical and Romantic Eras, and Chopin and Liszt’s music music’s distinctive Finnish tinge suggests nationalism.

It’s a tragedy that she did n’t live longer, but it’s a joy to listen to the great music that survives.

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