The highlight is shining as soon as once more on Broadway with the announcement of the 78th Annual Tony Award nominations. This yr’s picks mirror a season crammed with daring narratives, progressive productions, and a formidable array of cinematic expertise. Main the cost with 10 nominations every are “Buena Vista Social Membership,” “Loss of life Turns into Her,” and “Possibly Joyful Ending.” These productions supply an exhilarating spectrum of themes—from nostalgic pleasure to excessive camp and futuristic romance—demonstrating that theatrical creativity continues to flourish on the Nice White Manner.

This yr’s nominations spotlight a big Hollywood-to-Broadway crossover, that includes distinguished figures like George Clooney, Sarah Snook, Bob Odenkirk, and Sadie Sink. Clooney’s highly effective stage debut in “Good Night time, and Good Luck,” alongside Snook’s transformative function in “The Image of Dorian Grey,” marks a season the place movie legends have injected new power—and appreciable field workplace enchantment—into stay theatre. The joy is palpable, reflecting each excessive stakes and extraordinary expertise.

As we strategy the ceremony on June 8, followers of theater can anticipate a outstanding showdown that features cherished revivals, daring new tales, and some shocking snubs which can be already producing buzz. Beneath the steerage of Tony winner and Oscar nominee Cynthia Erivo, the 78th Tony Awards promise to be a memorable celebration of the most effective in Broadway.

Interested by who made the record? Try the whole lineup of nominees for the 78th Tony Award!

Finest New Musical

  • “Buena Vista Social Membership”
  • “Useless Outlaw”
  • “Loss of life Turns into Her”
  • “Possibly Joyful Ending”
  • “Operation Mincemeat”

Finest New Play

  • “English”
  • “The Hills of California”
  • “John Proctor Is the Villain”
  • “Oh, Mary!”
  • “Goal”

Finest Musical Revival

  • “Floyd Collins”
  • “Gypsy”
  • “Pirates! The Penzance Musical”
  • “Sundown Boulevard”

Finest Play Revival

  • “Eureka Day”
  • “Our City”
  • “Romeo + Juliet”
  • “Yellow Face”

Finest Main Actress in a Play

  • Laura Donnelly, “The Hills of California”
  • Mia Farrow, “The Roommate”
  • LaTanya Richardson Jackson, “Goal”
  • Sadie Sink, “John Proctor Is the Villain”
  • Sarah Snook, “The Image of Dorian Grey”

Finest Main Actor in a Play

  • George Clooney, “Good Night time, and Good Luck”
  • Cole Escola, “Oh, Mary!”
  • Jon Michael Hill, “Goal”
  • Daniel Dae Kim, “Yellow Face”
  • Harry Lennix, “Goal”
  • Louis McCartney, “Stranger Issues: The First Shadow”

Finest Main Actress in a Musical

  • Jasmine Amy Rogers, “Boop!”
  • Megan Hilty, “Loss of life Turns into Her”
  • Audra McDonald, “Gypsy”
  • Nicole Scherzinger, “Sundown Boulevard”
  • Jennifer Simard, “Loss of life Turns into Her”

Finest Main Actor in a Musical

  • Darren Criss, “Possibly Joyful Ending”
  • Andrew Durand, “Useless Outlaw”
  • Tom Francis, “Sundown Boulevard”
  • Jonathan Groff, “Simply in Time”
  • Jeremy Jordan, “Floyd Collins”
  • James Monroe Iglehart, “A Fantastic World: The Louis Armstrong Musical”

Finest Course of a Musical

  • Saheem Ali, “Buena Vista Social Membership”
  • Michael Arden, “Possibly Joyful Ending”
  • David Cromer, “Useless Outlaw”
  • Christopher Gattelli, “Loss of life Turns into Her”
  • Jamie Lloyd, “Sundown Boulevard”

Finest Course of a Play

  • Knud Adams, “English”
  • Sam Mendes, “The Hills of California”
  • Sam Pinkleton, “Oh, Mary!”
  • Danya Taymor, “John Proctor Is the Villain”
  • Kip Williams, “The Image of Dorian Grey”

Finest Featured Actress in a Play

  • Tala Ashe, “English”
  • Jessica Hecht, “Eureka Day”
  • Marjan Neshat, “English”
  • Fina Strazza, “John Proctor Is the Villain”
  • Kara Younger, “Goal”

Finest Featured Actor in a Play

  • Glenn Davis, “Goal”
  • Gabriel Ebert, “John Proctor Is the Villain”
  • Francis Jue, “Yellow Face”
  • Bob Odenkirk, “Glengarry Glen Ross”
  • Conrad Ricamora, “Oh, Mary!”

Finest Featured Actress in a Musical

  • Natalie Venetia Belcon, “Buena Vista Social Membership”
  • Julia Knitel, “Useless Outlaw”
  • Gracie Lawrence, “Simply in Time”
  • Justina Machado, “Actual Girls Have Curves”
  • Pleasure Woods, “Gypsy”

Finest Featured Actor in a Musical

  • Brooks Ashmanskas, “Smash”
  • Jeb Brown, “Useless Outlaw”
  • Danny Burstein, “Gypsy”
  • Jak Malone, “Operation Mincemeat”
  • Taylor Trensch, “Floyd Collins”

Finest E book of a Musical

  • “Buena Vista Social Membership”
  • “Useless Outlaw”
  • “Loss of life Turns into Her”
  • “Possibly Joyful Ending”
  • “Operation Mincemeat”

Finest Scenic Design of a Play

  • Marsha Ginsberg, “English”
  • Rob Howell, “The Hills of California”
  • Marg Horwell and David Bergman, “The Image of Dorian Grey”
  • Miriam Buether and 59, “Stranger Issues: The First Shadow”
  • Scott Pask, “Good Night time, and Good Luck”

Finest Scenic Design of a Musical

  • Rachel Hauck, “Swept Away”
  • Dane Laffrey and George Reeve, “Possibly Joyful Ending”
  • Arnulfo Maldonado, “Buena Vista Social Membership”
  • Derek McLane, “Loss of life Turns into Her”
  • Derek McLane, “Simply in Time”

Finest Lighting Design of a Play

  • Natasha Chivers, “The Hills of California”
  • Jon Clark, “Stranger Issues: The First Shadow”
  • Heather Gilbert and David Bengali, “Good Night time, and Good Luck”
  • Natasha Katz and Hannah Wasileski, “John Proctor is the Villain”
  • Nick Schlieper, “The Image of Dorian Grey”

Finest Costume Design of a Play

  • Brenda Abbandandolo, “Good Night time, and Good Luck”
  • Marg Horwell, “The Image of Dorian Grey”
  • Rob Howell, “The Hills of California”
  • Holly Pierson, “Oh, Mary!”
  • Brigitte Reiffenstuel, “Stranger Issues: The First Shadow”

Finest Choreography

  • Joshua Bergasse, “Smash”
  • Camille A. Brown, “Gypsy”
  • Christopher Gattelli, “Loss of life Turns into Her”
  • Jerry Mitchell, “Boop!”
  • Patricia Delgado and Justin Peck, “Buena Vista Social Membership”

Finest Orchestrations

  • Andrew Resnick and Michael Thurber, “Simply in Time”
  • Will Aronson, “Possibly Joyful Ending”
  • Bruce Coughlin, “Floyd Collins”
  • Marco Paguia, “Buena Vista Social Membership”
  • David Cullen and Andrew Lloyd Webber, “Sundown Boulevard”

Finest Sound Design of a Play

  • Paul Arditti, “Stranger Issues: The First Shadow”
  • Palmer Hefferan, “John Proctor Is the Villain”
  • Daniel Kluger, “Good Night time, and Good Luck”
  • Nick Powell, “The Hills of California”
  • Clemence Williams, “The Image of Dorian Grey”

Finest Unique Rating

  • “Useless Outlaw,” David Yazbek and Erik Della Penna
  • “Loss of life Turns into Her,” Julia Mattison and Noel Carey
  • “Possibly Joyful Ending,” Will Aronson and Hue Park
  • “Operation Mincemeat,” David Cumming, Felix Hagan, Natasha Hodgson, and Zoë Roberts
  • “Actual Girls Have Curves,” Pleasure Huerta and Benjamin Velez

Finest Costume Design of a Musical

  • Dede Ayite, “Buena Vista Social Membership”
  • Gregg Barnes, “Boop!”
  • Clint Ramos, “Possibly Joyful Ending”
  • Paul Tazewell, “Loss of life Turns into Her”
  • Catherine Zuber, “Simply in Time”

Finest Lighting Design of a Musical

  • Jack Knowles, “Sundown Boulevard”
  • Tyler Micoleau, “Buena Vista Social Membership”
  • Scott Zielinski and Ruey Horng Solar, “Floyd Collins”
  • Ben Stanton, “Possibly Joyful Ending”
  • Justin Townsend, “Loss of life Turns into Her”

Finest Sound Design of a Musical

  • Jonathan Deans, “Buena Vista Social Membership”
  • Adam Fisher, “Sundown Boulevard”
  • Peter Hylenski, “Simply in Time”
  • Peter Hylenski, “Possibly Joyful Ending”
  • Dan Moses Schreier, “Floyd Collins”

Isabelle Stevenson Tony Award

Celia Keenan-Bolger

Particular Tony Award for Lifetime Achievement

Harvey Fierstein

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