The song was created “during a season of loss and a wonderfully dark time.” Pietu Arvola wandered the Scandinavian forests before becoming lost in the scenery of Fallout 4, recording noises that may later appear on this record. This comparison contributes the movie’s tone, instantly grounded and unearthly, akin to a phantasm. Although this song is topped with a thicker picture of sadness, one is reminded of the fairy story kingdoms of fellow Finns Paavoharju.
Bells and” smashes” supply much of the movie’s appearance, another contrast, one calming, the other jarring. Citizens search for harmony in the modern world, but noise, both natural and written, continues to enter. As the beginning element builds to clatter, one thinks not only of a 19th century shop, but of the invasion of social media. The final moments ‘ weather is like a tug of character, an echo of the natural world. In the one” Kaikki vääristyy”, an unreadable voice is surrounded by slow, sad records and a more precise roar, like that of a coach that slows without stopping. In the movie, the character slogs through the dirt.
One can discover Arvola struggling to sobriety, to limbo. As the recording advances, more windows of ambience empty, the scratching swept away. Does a figure cradle a fresh river that passes through the jungle? Only a few decades ago, the entire world shared a” Month of Sorrows”. In many ways, it has never recovered. In the song” In the darkness of the night I saw mighty views,” But Arvola ascends to the top. In some ways, these views have been incorporated into this record. Inspiration is itself a perspective, the creative work its completion. Although the album may sound gray, it has enough power to crawl until it reaches reliable ground, like the guy in the video. ( Richard Allen )
