OSTEL’s latest monitor, “lounge talk with my internal demons”, is a disturbing and vivid composition that delves into the abyss of inward conflict. This experimental part, characterized by brooding strings, philosophical sounds, and a creeping clarinet, invites listeners into a dark, external world where disconcerting truths and philosophical despair come to the forefront.
The trail, part of OSTEL’s future recording, is a natural portrayal of the composer’s inside battles. Working under his alter self OSTEL, Mexican singer and musician Sergio Sancén uses the monitor to explore the shadows that permeates it, creating a sound landscape that is both cold and reflective.
The sax, performed by Eray Farrera, serves as the voice of inward turmoil, its howls resonating through the dimly lit music. The musical, constructed piano elements mix easily with menacing synths, creating a intricate, layered backdrop that adds to the circuit’s gloomy atmosphere. The end result is a piece that confronts the listener’s unique shadows as well as capturing the essence of inward conflict.
The film “lounge talk with my inner demons” is a striking illustration of how OSTEL can blend ambient soundscapes with intense mental exploration. Sancén’s operate under OSTEL is known for its atmospheric and geographical sound, blending analog synthesizers, pure instruments, and online processing to make music that is both sad and encouraging. This trail offers a unique audio experience that lasts well after the music fades, and it is a strong expression of the artist’s most romantic thoughts.
With this task, OSTEL continues to push the boundaries of empirical music, allowing viewers to enter the darkest parts of their brain and come away from it with a deeper knowledge of who they are.